Cultural preservation can come down to the actions of a single individual. One man, Krišjānis Barons↗, took the initiative to collect all Latvian folksongs — heretofore passed on orally from generation to generation, soliciting song texts to then be organized. By 1880 he had a special cabinet, daiņu skapis↗, created for storage. The collection soon grew to over 100,000, ultimately holding 217,996 texts. Indeed, song is central to the Latvian soul. The first Latvian song festival↗↗lv was held in Dikļi↗↗lv, in 1864, and the first national festival↗↗lv one hundred and fifty-two years ago in 1873.
Once settled in new communities, wherever there was a critical mass of Latvians, they built communities usually around church, organized schooling in all things Latvian, founded boy and girl scout troops, celebrated the holidays — both religious and pagan, and organized exhibitions and arts events. The generation old enough to remember the DP camps is dwindling — a child who entered the DP camps at the age of 6 would now be 87 years old today. What should we learn from them? The Latvians Abroad Museum↗ answers that with Latvian "footprints," pēdas, across the world. What have they left for us?
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